Art of the Chopper II

Tom Zimberoff, James Hetfield


  Art of the Chopper II  Tom Zimberoff, James Hetfield  A great chopper is not built. It is created. It begins as the seed of an idea germinating in the mind of its creator. Bit by bit, the builder brings the machine to life, raking and stretching the frame, fabricating fenders and a gas tank, applying exquisite paint, sculpting something that lives and breathes on its own. Choppers, one of the most enduring symbols from the 1960s, are more prevalent than ever. First published in 2003 (Motorbooks Int'l) to great acclaim, and reissued in 2005, Art of the Chopper (Bulfinch Press) profiled 20 of today's top chopper builders. As a sequel, ART OF THE CHOPPER II profiles 21 more builders and artists, including builders well known to chopper fans such as the legendary Indian Larry, auteur Gard Hollinger, and non-professionals such as Staten Island's own Mike Pugliese. Zimberoff's engaging text provides an in-depth analysis of the each designer's philosophy and unique style. A foreword by James Hetfield also accompanies the almost 600... êóïèòü, ñêà÷àòü, èíòåðíåò ìàãàçèí A great chopper is not built. It is created. It begins as the seed of an idea germinating in the mind of its creator. Bit by bit, the builder brings the machine to life, raking and stretching the frame, fabricating fenders and a gas tank, applying exquisite paint, sculpting something that lives and breathes on its own. Choppers, one of the most enduring symbols from the 1960s, are more prevalent than ever. First published in 2003 (Motorbooks Int'l) to great acclaim, and reissued in 2005, Art of the Chopper (Bulfinch Press) profiled 20 of today's top chopper builders. As a sequel, ART OF THE CHOPPER II profiles 21 more builders and artists, including builders well known to chopper fans such as the legendary Indian Larry, auteur Gard Hollinger, and non-professionals such as Staten Island's own Mike Pugliese. Zimberoff's engaging text provides an in-depth analysis of the each designer's philosophy and unique style. A foreword by James Hetfield also accompanies the almost 600......


David Hilliard


  David Hilliard  David Hilliard’s vibrant color photographs, usually triptychs or larger compositions, present elaborate narratives exploring a range of themes and situations, from the awkwardness of adolescence to masculinity disarmed. Formally, these staged photographs share the style of contemporary photographers like Gregory Crewdson and Anna Gaskell, among others. Yet Hilliard draws less from the realm of the fantastic and instead looks to his immediate surroundings to draw inspiration, as he deftly fuses autobiography with fiction to engage a host of complex ideas. This lush monograph is the first major publication of Hilliard’s work. Included are works from the artist’s ongoing series of his father that demonstrate Hilliard’s ability to tangle fact with fiction as the resulting images, underscored by the artist’s wry outlook on the world, convey a distinct poignancy. Other works engage issues of intimacy, homoeroticism, and identity. The resulting... êóïèòü, ñêà÷àòü, èíòåðíåò ìàãàçèí David Hilliard’s vibrant color photographs, usually triptychs or larger compositions, present elaborate narratives exploring a range of themes and situations, from the awkwardness of adolescence to masculinity disarmed. Formally, these staged photographs share the style of contemporary photographers like Gregory Crewdson and Anna Gaskell, among others. Yet Hilliard draws less from the realm of the fantastic and instead looks to his immediate surroundings to draw inspiration, as he deftly fuses autobiography with fiction to engage a host of complex ideas. This lush monograph is the first major publication of Hilliard’s work. Included are works from the artist’s ongoing series of his father that demonstrate Hilliard’s ability to tangle fact with fiction as the resulting images, underscored by the artist’s wry outlook on the world, convey a distinct poignancy. Other works engage issues of intimacy, homoeroticism, and identity. The resulting......

Barrio: Photographs from Chicago's Pilsen and Little Village (Chicago Visions and Revisions)

Paul D'Amato


  Barrio: Photographs from Chicago's Pilsen and Little Village (Chicago Visions and Revisions)  Paul D'Amato  In 1988 photographer Paul D’Amato was driving around Chicago with his camera when he decided to follow Halsted Street into Pilsen, the city’s largest Mexican neighborhood. Intrigued by the barrio and neighboring Little Village, he began to take photographs and would continue to do so off and on for the next fourteen years. D’Amato started with the public life of the neighborhood: women and children in the streets, open fire hydrants, and graffiti. But later—after he got to know the area’s Mexican residents better—he was allowed to take more intimate photos of people at work, families at weddings and parties, and even gang members. Barrio collects ninety of these striking color images along with D’Amato’s fascinating account of his time photographing Mexican Chicago and his acceptance—often grudging, after threatened violence—into the heart of the city’s Mexican community. Some of the photos here are... êóïèòü, ñêà÷àòü, èíòåðíåò ìàãàçèí In 1988 photographer Paul D’Amato was driving around Chicago with his camera when he decided to follow Halsted Street into Pilsen, the city’s largest Mexican neighborhood. Intrigued by the barrio and neighboring Little Village, he began to take photographs and would continue to do so off and on for the next fourteen years. D’Amato started with the public life of the neighborhood: women and children in the streets, open fire hydrants, and graffiti. But later—after he got to know the area’s Mexican residents better—he was allowed to take more intimate photos of people at work, families at weddings and parties, and even gang members. Barrio collects ninety of these striking color images along with D’Amato’s fascinating account of his time photographing Mexican Chicago and his acceptance—often grudging, after threatened violence—into the heart of the city’s Mexican community. Some of the photos here are......

Picturing Los Angeles

Jon Wilkman, Nancy Wilkman


  Picturing Los Angeles  Jon Wilkman, Nancy Wilkman  Picturing Los Angeles illustrates the creation, evolution, and ever-changing face of Los Angeles. Through stunning photography, the city's intriguing, important, and unexpectedly influential past is revealed. These images function like frames from a movie, offering glimpses of an ever-evolving metropolis. Drawing upon more than two hundred years of images and human experience, the authors have gathered a telling array of newspaper photos, historical snapshots of the movie industry, and photos that offer a glimpse into the sports, politics, industry, social change, crime, disasters, arts, and everyday life of each decade. êóïèòü, ñêà÷àòü, èíòåðíåò ìàãàçèí Picturing Los Angeles illustrates the creation, evolution, and ever-changing face of Los Angeles. Through stunning photography, the city's intriguing, important, and unexpectedly influential past is revealed. These images function like frames from a movie, offering glimpses of an ever-evolving metropolis. Drawing upon more than two hundred years of images and human experience, the authors have gathered a telling array of newspaper photos, historical snapshots of the movie industry, and photos that offer a glimpse into the sports, politics, industry, social change, crime, disasters, arts, and everyday life of each decade....

LaPorte, Indiana

Jason Bitner


  LaPorte, Indiana  Jason Bitner  FOUND magazine editor Jason Bitner has made it a habit of picking up after us, walking down the back alleys of our lives, and accumulating all that we've thrown away or mislaid. One afternoon not long ago, after lunch at a small Midwestern diner, he stumbled onto a forgotten archive. In the back of the restaurant were box upon box of studio portraits of the townspeople of LaPorte, Indiana—over 18,000 in total. Taken over four decades, the photos marked important milestones—a sailor in uniform, a graduate in cap and gown, a couple newly engaged—while others simply made modest attempts at posterity. Each in their unique way reveals both a public and private face, a story untold, a secret to reveal. They are admittedly brief moments and ones in which people have purposefully posed for the camera. Smiling. Caring. Loving. Pensive. Serious. These are pictures of all of us in a way, re?ections in a mirror of the everyday moments and events that... êóïèòü, ñêà÷àòü, èíòåðíåò ìàãàçèí FOUND magazine editor Jason Bitner has made it a habit of picking up after us, walking down the back alleys of our lives, and accumulating all that we've thrown away or mislaid. One afternoon not long ago, after lunch at a small Midwestern diner, he stumbled onto a forgotten archive. In the back of the restaurant were box upon box of studio portraits of the townspeople of LaPorte, Indiana—over 18,000 in total. Taken over four decades, the photos marked important milestones—a sailor in uniform, a graduate in cap and gown, a couple newly engaged—while others simply made modest attempts at posterity. Each in their unique way reveals both a public and private face, a story untold, a secret to reveal. They are admittedly brief moments and ones in which people have purposefully posed for the camera. Smiling. Caring. Loving. Pensive. Serious. These are pictures of all of us in a way, re?ections in a mirror of the everyday moments and events that......

Building With Light: An International History of Architectural Photography

Robert Elwall


  Building With Light: An International History of Architectural Photography  Robert Elwall  Ever since the invention of the medium, photography has enjoyed a close and mutually stimulating relationship with architecture, underlined by the description of photography as Ever since the invention of the medium, photography has enjoyed a close and mutually stimulating relationship with architecture, underlined by the description of photography as "building with light". This book explores the development of architectural photography and some of its key themes. Among these are the way architectural photography initially relied on pre-photographic modes of architectural rendering; the gradual emergence of a specific aesthetic of architectural photography and the growth of specialist firms documenting the nineteenth-century building boom; the influence of photography during this period on both architectural practice and history; the impact of the invention of half-tone reproduction; the influence of the 'New Photography' during the inter-war years and the significance of this period in establishing the camera as the undisputed mediator of architecture; the role of photography in the spread of Modernism; the impact of colour photography during the 1970s and......

Soul Sanctuary: Images of the African American Worship Experience

Jason Miccolo Johnson, Gordon Parks, Cain Hope Felder, Barbranda Lumpkins Walls, Dr. H. Beecher Hick


  Soul Sanctuary: Images of the African American Worship Experience  Jason Miccolo Johnson, Gordon Parks, Cain Hope Felder, Barbranda Lumpkins Walls, Dr. H. Beecher Hick  SOUL SANCTUARY is a photographic celebration of the most influential institution in the black communitythe black churchand its unique worship experience. The first illustrated gift book to depict the spiritual dimension of the black church and the pride that prevails within the church-going family, SOUL SANCTUARY is a multidenominational journey into the heart of the black worship experience. Churches in small rural and urban storefronts and large inner-city and suburban mega churches are featured. As the official photographer for Washington, DCs African Methodist Episcopal Church for the past 25 years, Jason Miccolo Johnson is a passionate church insider. His unique status gives his work a rare quality of intimacy as he captures the unbridled spirit of the black church through its congregants facial expressions and body language, their uniforms and dress, and, ultimately, the dignity of their worship. êóïèòü, ñêà÷àòü, èíòåðíåò ìàãàçèí SOUL SANCTUARY is a photographic celebration of the most influential institution in the black communitythe black churchand its unique worship experience. The first illustrated gift book to depict the spiritual dimension of the black church and the pride that prevails within the church-going family, SOUL SANCTUARY is a multidenominational journey into the heart of the black worship experience. Churches in small rural and urban storefronts and large inner-city and suburban mega churches are featured. As the official photographer for Washington, DCs African Methodist Episcopal Church for the past 25 years, Jason Miccolo Johnson is a passionate church insider. His unique status gives his work a rare quality of intimacy as he captures the unbridled spirit of the black church through its congregants facial expressions and body language, their uniforms and dress, and, ultimately, the dignity of their worship....

Photo/Stoner: The Rise, Fall, and Mysterious Disappearance of Surfing's Greatest Photographer

Matt Warshaw


  Photo/Stoner: The Rise, Fall, and Mysterious Disappearance of Surfing's Greatest Photographer  Matt Warshaw  In 1965, Ron Stoner was the best surf photographer in the business. Every month, he shot the balmy beaches, bikini-clad girls, and achingly beautiful waves of Southern California for Surfer Magazine . Then, at the height of his fame, Ron Stoner walked off this sunny stage and disappeared forever. In Photo/Stoner , Stoner's strange story is recounted by surfing historian Matt Warshaw alongside Stoner's best photos, reproduced as never before. In these rare images, Stoner recorded more than just a beautiful wave or a perfect moment, he captured the effortless and innocent grace of coastal California pre-condominium. In word and in image, Photo/Stoner is a poignant ode to a lost era, and a lost man. êóïèòü, ñêà÷àòü, èíòåðíåò ìàãàçèí In 1965, Ron Stoner was the best surf photographer in the business. Every month, he shot the balmy beaches, bikini-clad girls, and achingly beautiful waves of Southern California for Surfer Magazine . Then, at the height of his fame, Ron Stoner walked off this sunny stage and disappeared forever. In Photo/Stoner , Stoner's strange story is recounted by surfing historian Matt Warshaw alongside Stoner's best photos, reproduced as never before. In these rare images, Stoner recorded more than just a beautiful wave or a perfect moment, he captured the effortless and innocent grace of coastal California pre-condominium. In word and in image, Photo/Stoner is a poignant ode to a lost era, and a lost man....

Gettysburg: Sentinels of Stone

Timothy T. Isbell


  Gettysburg: Sentinels of Stone  Timothy T. Isbell  Searching for an ultimate victory to end the Civil War, Robert E. Lee and his Army of Northern Virginia fought for three days on the battlefield at Gettysburg, Pennsylvania. On July 4, 1863, the Confederate cause was lost, and Lee's army retreated. Union and Confederate forces suffered more than 51,000 casualties. The surrounding meadows and ridges would forever after be considered hallowed ground. This book commemorates the sacrifices made and the pastoral beauty that was witness to such violence. In Gettysburg: Sentinels of Stone, the battlefield's panoramas are brought to life in beautiful photographs. Accompanying the photographs are stories of the soldiers who fought and citizens who witnessed this pivotal battle. These stories serve to bring special meaning to the photographs of statues, monuments, and terrain. This photography book features new monuments added to the park in the last five years, including the Elizabeth Thorn monument and the 11th Mississippi monument,... êóïèòü, ñêà÷àòü, èíòåðíåò ìàãàçèí Searching for an ultimate victory to end the Civil War, Robert E. Lee and his Army of Northern Virginia fought for three days on the battlefield at Gettysburg, Pennsylvania. On July 4, 1863, the Confederate cause was lost, and Lee's army retreated. Union and Confederate forces suffered more than 51,000 casualties. The surrounding meadows and ridges would forever after be considered hallowed ground. This book commemorates the sacrifices made and the pastoral beauty that was witness to such violence. In Gettysburg: Sentinels of Stone, the battlefield's panoramas are brought to life in beautiful photographs. Accompanying the photographs are stories of the soldiers who fought and citizens who witnessed this pivotal battle. These stories serve to bring special meaning to the photographs of statues, monuments, and terrain. This photography book features new monuments added to the park in the last five years, including the Elizabeth Thorn monument and the 11th Mississippi monument,......

Saddles of the West (Cowboy Gear Series)

  Saddles of the West (Cowboy Gear Series)  David R. Stoecklein  David R. Stoecklein êóïèòü, ñêà÷àòü, èíòåðíåò ìàãàçèí David R. Stoecklein...

Least Wanted: A Century of American Mugshots


  Least Wanted: A Century of American Mugshots  Punks, sneaks, mooks and miscreants. Hookers, stooges, grifters and goons. Men and women, elderly and adolescent, rich and poor, but mostly poor. These are the Least Wanted. Their portraits make up a small part of Mark Michaelson's collection of over 10,000 American mugshots from the 1870s to the 1960s. Created as utilitarian instruments, and meant to be destroyed when obsolete, they survive as remnants of a bygone era of hard-copy originals, extraordinary visual windows on the past, and riveting physical artifacts, often accompanied by municipal ephemera. They are glued to cards and manuscripts, typed on and rubber stamped. Each suspect has been measured and fingerprinted, documented and classified. Bored, sheepish, proud, coy, tough, defiant, bounced, bloodied, bruised, broken and innocent faces--innocent until proven guilty--stare back at the camera with unmistakable individuality. This is central casting for the Late Late Show of unvarnished reality, and the lineup... êóïèòü, ñêà÷àòü, èíòåðíåò ìàãàçèí Punks, sneaks, mooks and miscreants. Hookers, stooges, grifters and goons. Men and women, elderly and adolescent, rich and poor, but mostly poor. These are the Least Wanted. Their portraits make up a small part of Mark Michaelson's collection of over 10,000 American mugshots from the 1870s to the 1960s. Created as utilitarian instruments, and meant to be destroyed when obsolete, they survive as remnants of a bygone era of hard-copy originals, extraordinary visual windows on the past, and riveting physical artifacts, often accompanied by municipal ephemera. They are glued to cards and manuscripts, typed on and rubber stamped. Each suspect has been measured and fingerprinted, documented and classified. Bored, sheepish, proud, coy, tough, defiant, bounced, bloodied, bruised, broken and innocent faces--innocent until proven guilty--stare back at the camera with unmistakable individuality. This is central casting for the Late Late Show of unvarnished reality, and the lineup......

The Age of Adolescence: Joseph Sterling Photographs 1959-1964

Joseph Sterling


  The Age of Adolescence: Joseph Sterling Photographs 1959-1964  Joseph Sterling  Adolescence is a time of drives: sexual, emotional, and vehicular. That age sparkles with the promise of what's to come, hides its insecurities under the cover of bravado, and trembles with excitement about the here and now. From 1959 to 1964 (arguably the adolescence of America), Joseph Sterling photographed teenagers, mostly in and around Chicago, hanging out after school, at drive-ins, in fast cars. As Sterling himself defined it, Adolescence is a time of drives: sexual, emotional, and vehicular. That age sparkles with the promise of what's to come, hides its insecurities under the cover of bravado, and trembles with excitement about the here and now. From 1959 to 1964 (arguably the adolescence of America), Joseph Sterling photographed teenagers, mostly in and around Chicago, hanging out after school, at drive-ins, in fast cars. As Sterling himself defined it, "the world of the adolescent is totally interlaced within itself and incapable of freeing itself . . . It whirls, rolls, and engulfs what it is allowed to engulf." During that bridging period between postwar peace and prewar upheaval, Sterling was a student himself at Moholy-Nagy's Institute of Design in Chicago, where he studied photography under Harry Callahan, Aaron Siskind, and Frederick Sommer with classmates Yasuhiro Ishimoto and Ray Metzker. Looking back now at this body of work in its entirety, a viewer can easily see that America was on the......


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Íà÷àëî


Art of the Chopper II. Tom Zimberoff, James Hetfield Êíèãè.

Áëàãîâåùåíñê, Èðêóòñê, Íåôòåêàìñê, Ëåíèíñê-Êóçíåöêèé, Àðìàâèð, ÂåëèêèéÍîâãîðîä, Îðåõîâî-Çóåâî, Àáàêàí, ÍèæíèéÍîâãîðîä,
Îáùåñòâî, èñòîðèÿ| Äåëîâàÿ ëèòåðàòóðà| Àíãëèéñêèé ÿçûê| Ðûáàëêà| Ñáîðíèêè îòå÷åñòâåííûõ ìóëüòôèëüìîâ| Ðóññêàÿ ôýíòåçè|
êíèæíûå èçäàòåëüñòâà, ó÷åáíèêè àíãëèéñêîãî, ôàíòàñòèêà, ôàíòàñòèêà, êíèãè ñàíêò ïåòåðáóðã, êíèãè ñáîðíèêè, àäðåñà êíèæíûõ ìàãàçèíîâ, ãäå êóïèòü êíèãó, ãäå çàêàçàòü êíèãó, ïå÷àòíûå èçäàíèÿ,

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